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PDF Download The Ballad of the White Horse, by G.K. Chesterton

PDF Download The Ballad of the White Horse, by G.K. Chesterton

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The Ballad of the White Horse, by G.K. Chesterton

The Ballad of the White Horse, by G.K. Chesterton


The Ballad of the White Horse, by G.K. Chesterton


PDF Download The Ballad of the White Horse, by G.K. Chesterton

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The Ballad of the White Horse, by G.K. Chesterton

From the Back Cover

More than a thousand years ago, the ruler of a beleaguered kingdom saw a vision of the Virgin Mary that moved him to rally his chiefs and make a last stand. Alfred the Great freed his realm from Danish invaders in the year 878 with an against-all-odds triumph at the Battle of Ethandune. In this ballad, G. K. Chesterton equates Alfred's struggles with Christianity's fight against nihilism and heathenism—a battle that continues to this day. One of the last great epic poems, this tale unfolds in the Vale of the White Horse, where Alfred fought the Danes in a valley beneath an ancient equine figure etched upon the Berkshire hills. Chesterton employs the mysterious image as a symbol of the traditions that preserve humanity. His allegory of the power of faith in the face of an invasive foe was much quoted in the dark days of 1940, when Britain was under attack by Nazis. This new edition offers an authoritative, inexpensive version of Chesterton's inspiring work. Dover (2010) unabridged republication of the edition published by John Lane Company, New York, 1911.

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Product details

Paperback: 144 pages

Publisher: Dover Publications; Unabridged edition (July 21, 2010)

Language: English

ISBN-10: 0486475638

ISBN-13: 978-0486475639

Product Dimensions:

0.5 x 0.2 x 8.5 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

35 customer reviews

Amazon Best Sellers Rank:

#394,729 in Books (See Top 100 in Books)

The virgin Mary appears to King Alfred and tells him nothing to his profit, only that the sea grows higher and the sky grows darker. So he gathers what little remains of the free peoples of England to fight, the Saxon who has fought too much and is tired, the Roman who clings to Rome, the Gael who hates and mocks him. They march against the hosts of the Vikings who want to conquer and destroy all and fight and die and win. Because they have nothing to lose and all to win.Poetry to make you weep. To make your soul soar. Epic but not in the glorifying style that glorifies folly. Religious in a way, Alfred is a Christian king with many sins who marches to kill without the blessing of Mary and he knows it. But he fights because his foes are worse still and not fighting them the end of all.The style is a bit confusing at times, as poetry can be, but mainly clear. You can understand Alfred's humble speech to the chieftains and the mockery of the Gael when he tells him that better kings than him were defeated. You can understand the madness of the Vikings. You can understand Alfred's speech to his young lords long after the battle when they reproach him not having carried on and swept the Norse off England.This is a poem about people who fought and died and won because they had nothing to lose. There is no glory here or boasting or honor. The Vikings fight well and cleverly and the Saxons only win because they fight to the end and the Vikings don't have to.Chesterton has writen a dark poem of strife and despair, of humility and bleak courage before the end. Of the wisdom of Alfred who saved what could be saved and held the line for civilization and Christianity until the times were less dark. It is a poem worth reading and remembering. For it tells of a king who lost it all and won it back and knew the true value of things.

Out of the thousand or so books I have read in my life, if I were to put the Bible aside (since the Bible speaks with a special authority to believers and cannot really be compared to other books), I have read no more than five or six books that I would call truly great. That means there are only five or six books I would rate at five stars. This is one. Yes, it is that good.I have never read any author who could make the English language sing the way Chesterton does in this poem -- for over a hundred pages. In contrast to contemporary "poets" whose "poems" consist of a bunch of strange words scattered apparently at random on a page, whose meaning, if there is one, is far beyond obscurity, Chesterton had apparently unlimited ability to create rhyme and alliteration, and then he bound it all tightly in the sing-song ballad style that carries it all swiftly along. The words of this poem are glorious to hear, and really, this book should be read aloud, so that one might hear the music of the words.And few have ever been able to match the way Chesterton paints pictures with words. I will quote one passage, and hope it is not to long, to illustrate this. The scene here is Alfred's army making one final charge against the Danish camp: Then bursting all and blasting Came Christendom like death, Kicked of such catapults of will, The staves shiver, the barrels spill, The waggons waver and crash and kill The waggoners beneath. Barriers go backward, banners rend, Great shields groan like a gong, Horses like horns of nightmare Neigh horribly and long. Horses ramp and rock and boil And break their golden reins, And slide on carnage clamorously, Down where the bitter blood doth lie, Where Ogier went on foot to die In the old way of the Danes.It would be hard to imagine anyone anyone describing such a violent scene in so few words any better than Chesterton does in that passage. And this passage is but one of dozens of glorious word-pictures that Chesterton's poetry paints in this book.Beyond its magnificent use of the English language, this book also contains much philosophical insight -- insight that, although first published in 1911, is directly and clearly applicable today. Chesterton expresses very clearly the way that Christianity has formed the heart of Western culture over the ages, and the way that Christian faith -- which seems all about self-denial and thus sadness -- leads to unconquerable joy.The book, of course, is not perfect; no work of literature can be. There are places where it gets a bit too preachy for my taste. But the book's flaws are few and minor, while its good points are many and glorious.How good is this book? I have read it at least 50 times in my life, and I still enjoy reading it. In my opinion it is one of the truly greatest works written in the English language. It is one of the few books I have read that truly deserves five stars.

My son cannot read enough of Chesterton. His writings have helped him to solidify his Christianity in a a decidedly Christian hostile world.

G. K. Chesterton is always both erudite and accessible. This poem is a delightful re-telling of several legends / historical incidents regarding King Alfred the Great, and in a ballad form which could easily be set to music.

One of the great poems in the English language--and certainly a top contender for the greatest narrative poem. A retelling of the Alfred the Great's defeat of Guthrum and the Danes at the Battle of Ethandune (or the victory of the true power of Christianity over the inherent weakness of paganism), written to be read aloud or to oneself (but please do read it aloud). A ranking of ten stars would be more accurate. [This review refers to the first edition.]

I find myself quoting passages from this epic poem and rereading parts of it frequently.

One of the most beautiful epic poems ever written. I find myself reflecting on the story of Alfred and wish there was an epic movie to match the poem...

Wonderful ballad with a great poetic artist lovingly telling an epic story. Should be required reading for middle school literature students.

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