Ebook The Sound of Navajo Country: Music, Language, and Diné Belonging (Critical Indigeneities)
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The Sound of Navajo Country: Music, Language, and Diné Belonging (Critical Indigeneities)
Ebook The Sound of Navajo Country: Music, Language, and Diné Belonging (Critical Indigeneities)
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Review
Jacobsen is absolutely correct that we should pay more attention to the many forms and uses of voice, including but not limited to music and singing, in analyzing ascriptions and avowals of identity and belonging.--###Anthropology Review Database#
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This is deep ethnography. Kristina M. Jacobsen illustrates the many ways Navajos think about, talk about, and perform membership in their community through the lens of country music. An engaging and important work.â€--David Samuels, New York UniversityKristina M. Jacobsen has given us an ear-opening exploration of how the socio-acoustic ideologies and practices of the voice inflect the politics of difference in Navajo country. Speaking and singing, generations and genres, places and P.A. systems, blood and belonging all blend together in this illuminating ethnography of country music as Navajo music. Jacobsen’s seamless integration of linguistic anthropology, ethnomusicology, and sociocultural anthropology should be an inspiration to all ethnographers.â€--Richard Bauman, Indiana University###The Sound of Navajo Country# is an insightful examination of current issues in Indigenous cultural politics. Jacobsen’s investigation of voice and language in country music and other dimensions of expressive culture in the Navajo Nation illuminates the nuances of identity and language politics and the constant negotiation of authenticity. The book’s focus on a contemporary, rather than ‘traditionally cultural,’ genre of music highlights the lived reality of modern Navajo life while offering a new and refreshing look at contemporary Navajo culture.â€--Kerry Frances Thompson (Diné), Northern Arizona University
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Product details
Series: Critical Indigeneities
Hardcover: 200 pages
Publisher: The University of North Carolina Press (March 13, 2017)
Language: English
ISBN-10: 1469631857
ISBN-13: 978-1469631851
Product Dimensions:
6.1 x 0.6 x 9.2 inches
Shipping Weight: 1 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#1,920,696 in Books (See Top 100 in Books)
An interesting read on a niche style of music created for and by Native Americans in the Southwest. Ms. Jacobsen did in-depth research including performing with several bands. However, I feel she did not adequately research or coverthe history of the Rez Bands from the 60s on to the present day including the impact of their music being offered on portable tape formats of 8 track and cassettes vs vinyl. Also felt she glossed over the influence of Waylon Jennings and Gary Stewart had on these bands as they played numerous dates on the reservations, often booked with Rez Bands. Both artists were made honorary members of the Dine' (Navajo). Important pieces of history in Navajo Country. Still a worthy and enjoyable book.
An ethnography of Navajo country and other popular music cultures, with interviews with central musicians. Instead of showing the similarities between all Navajo people, Jacobsen explains how they differ in class, race, and tastes. The cover of the book depicts the author in cowboy boots and hat with a dark guitar and Native American style blue bracelet, earrings and belt. The author put herself on the cover because she is a pretty well-known, touring singer herself. The book includes a note on “Orthographic and Linguistic Conventions,†which explains proper pronunciation of Navajo words. The “Introduction†opens with a clash between a woman and a convenience store worker that ends with the older woman insulting the cashier: “What kind of Navajo are you?†in the Navajo language, which the cashier could not understand as she was listening to heavy metal. This explains the generational and cultural clashes that this book details. These two women could be bonding over their shared identity, but instead they are fighting over their differences. The book also includes maps and other visual aids and statistics that explain the current state of the Navajo Nation and the Hopi Nation within its borders in Arizona, Utah, Colorado and New Mexico. The narrative describes various components of this complex Navajo identity, such as the KTNN local popular country music station, and popular bands like the Wingate Valley Boys, alongside the impact of the American Indian Movement. This book is more conversational than scholarly, and yet there is plenty of statistics and historical fact to educate readers. Most of the discussion is about language and various components and styles of musical performance. Navajo residents who enjoy country music should take pleasure in reading this account and re-discovering their heritage. Scholars of culture and music will find plenty of evidence to use in their own scholarship on this topic.
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